The Secret Connexion, Part III

Continuing the line of thought from yesterday and the day before....

So far in this discussion I've quoted Hume only once, that bit from the Enquiry about how "we are ignorant of those powers and forces" etc. So here are a couple of other quotes used by Strawson in laying out his broad thesis. From the Treatise he quotes, "[I am] ready to allow, that there may be several qualities both in material and immaterial objects, with which we are utterly unacquainted."

Note the duality, "material and immaterial." One of Strawson's underlying points is that Hume considered Berkeley's metaphysics a plausible one -- neither certain nor probable, but coherent and on its own terms irrefutable. Berkeley saw the world as consisting of a God, various human minds, and the ideas that God implants into their/our minds. These ideas include the entire sensory world, including the regularities we might describe as examples of causality. Berkeley too, then, believes in a separation between causation lower-case and Causation. In causation, a first sensory event (a) precedes another (b) and we say that a caused b -- the hand that dropped the ball in that action caused the ball to fall to the ground. In the deeper meaning, Causation, the first and second sensory events are both given us/caused/produced by the Divine Mind directly. All reality is immaterial and true Cause likewise.

Hume didn't endorse that view, but he always took it into account. This even shows up in the wording of statements that seem only tangentially related. Consider Philo, Hume's mouthpiece in the Dialogues, arguing against the inference that a supernatural intelligence must have created the world. Philo says there are at least two possibilities, "For aught we can know a priori, matter may contain the source or spring of order originally within itself ... there is no more difficulty in conceiving, that the several elements, from an internal unknown cause, may fall into the most exquisite arrangement, than to conceive that their ideas, in the great, universal mind, from a like internal unknown cause, may fall into that arrangement., The equal possibility of both these suppositions is allowed."

Consider the language in which Philo allows for the theistic supposition. It isn't a matter of God as an architect creating a material world. Rater, it is of God, as the great universal mind, falling into a particular "arrangement" of His own "ideas" which corresponds to the "most exquisite arrangement" in which we find things. That's a rather Berkelayan wording of the possibility of a world with God at its heart.

One common trope in the history of philosophy takes Berkeley, Hume, and Kant as a triptych of epistemological and metaphysical warriors, each setting out to overthrow the one before, to become the new champion. In a sense Strawson takes over this trope. Berkeley and Kant are both referenced quite often in this book centered on Hume. BUT ... Strawson sees their relations differently.

Just as Hume respectfully incorporates the possibility of a Berkeleyan world into his writing, so Hume anticipates Kant's distinction between noumenal and phenomenal worlds. In Strawson's view, these three aren't contending warriors, they are allies, the Three Amigos of philosophy!

And with that happy thought I conclude my discussion of this Christmas gift.

Well, sort of. I'll have some thoughts tomorrow that go beyond Strawson and further into this Three-Amigos conception.

A Story About Coleridge

This is a quote from a memoir by Dorothy Wordsworth, reflecting on a trip she took with two famous poets, her brother, William Wordsworth, and their similarly gifted companion, Samuel Taylor Coleridge. We sat upon a bench, placed for the sake of one of these views, whence we looked down upon the waterfall, and over the open country ... A lady and gentleman, more expeditious tourists than ourselves, came to the spot; they left us at the seat, and we found them again at another station above the Falls. Coleridge, who is always good-natured enough to enter into conversation with anybody whom he meets in his way, began to talk with the gentleman, who observed that it was a majestic waterfall. Coleridge was delighted with the accuracy of the epithet, particularly as he had been settling in his own mind the precise meaning of the words grand, majestic, sublime, etc., and had discussed the subject with William at some length the day before. “Yes, sir,” says Coleridge, “it is a maj...

The Lyrics of "Live Like You Were Dying"

Back in 2004 Tim McGraw recorded the song "Live Like You were Dying." As a way of marking the one-decade anniversary of this song, I'd like to admit that a couple of the lines have confused me for years. I could use your help understanding them. In the first couple of verses, the song seems easy to follow. Two men are talking, and one tells the other about his diagnosis. The doctors have (recently? or a long time ago and mistakenly? that isn't clear) given him the news that he would die soon. "I spent most of the next days/Looking at the X-rays." Then we get a couple of lines about a man crossing items off of his bucket list. "I went sky diving, I went rocky mountain climbing, I went two point seven seconds on a bull named Fu Man Chu." Then the speaker -- presumably still the old man -- shifts to the more characterological consequences of the news. As he was doing those things, he found he was loving deeper and speaking sweeter, and givin...

Five Lessons from the Allegory of the Cave

Please correct me if there are others. But it seems to be there are five lessons the reader is meant to draw from the story about the cave. First, Plato is working to devalue what we would call empiricism. He is saying that keeping track of the shadows on the cave wall, trying to make sense of what you see there, will NOT get you to wisdom. Second, Plato is contending that reality comes in levels. The shadows on the wall are illusions. The solid objects being passed around behind my back are more real than their shadows are. BUT … the world outside the the cave is more real than that — and the sun by which that world is illuminated is the top of the hierarchy. So there isn’t a binary choice of real/unreal. There are levels. Third, he equates realness with knowability. I only have opinions about the shadows. Could I turn around, I could have at least the glimmerings of knowledge. Could I get outside the cave, I would really Know. Fourth, the parable a...

Jamesian Philosophy Refreshed

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