An Aristocracy of Critics

My recent reading includes AN ARISTOCRACY OF CRITICS (2020), by Stephen Bates. I won't say much about it today: but I will give you some bibliographic particulars. Let's do this is question-and-answer form.

Who is Stephen Bates?

An associate professor at the University of Nevada, in Las Vegas, teaching journalism and media studies.

Is this his first book?

No, it's his fifth. Perhaps his best known before this was THE POISONER (2014) about a notorious Victorian-era serial killer, William Palmer.

Okay. What is the new book about?

Chiefly it is about the Hutchins Commission and its report. This was a Commission created by Robert Maynard Hutchins, then president of the University of Chicago, at the behest of his friend Henry Luce, then a press baron with roughly the power and wealth of a Hearst or a Murdoch. Hutchins collected some renowned philosophers, theologians, and Big Thinkers to think about the issue of a free press -- what it means and how it should be nurtured. It produced its report in 1947, entitled "A Free and Responsible Press."

Did the report have a lot of impact?

Not really. It made a bit of a splash, and provided some ammunition (as its title indicates it should) to the then-evolving "social responsibility" theory of journalistic ethics. But its policy recommendations were quite modest, and even so were widely ignored at the time.

So why a book now about that book?

Bates believes that the report, and even more so the history of the commission and debates the members had with each other that didn't get into the report, has a lot to say to us about our own time.

Does it?

Maybe. But that will have to be the subject for another post.

Comments

A Story About Coleridge

This is a quote from a memoir by Dorothy Wordsworth, reflecting on a trip she took with two famous poets, her brother, William Wordsworth, and their similarly gifted companion, Samuel Taylor Coleridge. We sat upon a bench, placed for the sake of one of these views, whence we looked down upon the waterfall, and over the open country ... A lady and gentleman, more expeditious tourists than ourselves, came to the spot; they left us at the seat, and we found them again at another station above the Falls. Coleridge, who is always good-natured enough to enter into conversation with anybody whom he meets in his way, began to talk with the gentleman, who observed that it was a majestic waterfall. Coleridge was delighted with the accuracy of the epithet, particularly as he had been settling in his own mind the precise meaning of the words grand, majestic, sublime, etc., and had discussed the subject with William at some length the day before. “Yes, sir,” says Coleridge, “it is a maj...

The Lyrics of "Live Like You Were Dying"

Back in 2004 Tim McGraw recorded the song "Live Like You were Dying." As a way of marking the one-decade anniversary of this song, I'd like to admit that a couple of the lines have confused me for years. I could use your help understanding them. In the first couple of verses, the song seems easy to follow. Two men are talking, and one tells the other about his diagnosis. The doctors have (recently? or a long time ago and mistakenly? that isn't clear) given him the news that he would die soon. "I spent most of the next days/Looking at the X-rays." Then we get a couple of lines about a man crossing items off of his bucket list. "I went sky diving, I went rocky mountain climbing, I went two point seven seconds on a bull named Fu Man Chu." Then the speaker -- presumably still the old man -- shifts to the more characterological consequences of the news. As he was doing those things, he found he was loving deeper and speaking sweeter, and givin...

Five Lessons from the Allegory of the Cave

Please correct me if there are others. But it seems to be there are five lessons the reader is meant to draw from the story about the cave. First, Plato is working to devalue what we would call empiricism. He is saying that keeping track of the shadows on the cave wall, trying to make sense of what you see there, will NOT get you to wisdom. Second, Plato is contending that reality comes in levels. The shadows on the wall are illusions. The solid objects being passed around behind my back are more real than their shadows are. BUT … the world outside the the cave is more real than that — and the sun by which that world is illuminated is the top of the hierarchy. So there isn’t a binary choice of real/unreal. There are levels. Third, he equates realness with knowability. I only have opinions about the shadows. Could I turn around, I could have at least the glimmerings of knowledge. Could I get outside the cave, I would really Know. Fourth, the parable a...

Jamesian Philosophy Refreshed

Search This Blog