Skip to main content

Three Books with Religious Themes

I've recently received the Midsummer catalog for Daedalus Books.

Here are three of the offerings the especially caught my eye. There is a common theme to them, as indicated by the headline above. I'll just present the bibliographic particulars here without further comment.

1) Thomas de Wesselow, THE SIGN: The Shroud of Turin and the Secret of the Resurrection
Dutton 2013.

De Wesselow, an art historian by trade, contends that the famous shroud is not a work of art or a fraud but an authentic burial cloth from first century Palestine. Also, he contends that the shroud was central to the origins of Christianity.

He seems not to believe in the orthodox Christian account of events -- he is skeptical that the tomb was found empty or that Jesus later appeared to his disciples and ascended into heaven, etc. But he does believe that the early Christians believed in the resurrection with sufficient ardor to be martyred for it. So ... what convinced them? A mysterious piece of cloth.

2) Charlotte Gordon, THE WOMAN WHO NAMED GOD: Abraham's Dilemma and the Birth of Three Faiths. Little Brown 2009.

Gordon focuses on Hagar, Sarah's handmaid, and tells the story of the origins of monotheism accordingly.

3) Linda Wolk-Simon, RAPHAEL AT THE METROPOLITAN: The Colonna Altarpiece.
MMA/Yale 2006.

Also known as "Madonna and Child Enthroned with Saints" and portrayed above, the Colonna altarpiece is a classic work by one of the central figures of the Italian Renaissance. This book tells the story of its survival through the centuries and how it ended up at the Metropolitan, where it has been since 1916, and places the work artistically in the context of Raphael's career.



Comments

Popular posts from this blog

A Story About Coleridge

This is a quote from a memoir by Dorothy Wordsworth, reflecting on a trip she took with two famous poets, her brother, William Wordsworth, and their similarly gifted companion, Samuel Taylor Coleridge.   We sat upon a bench, placed for the sake of one of these views, whence we looked down upon the waterfall, and over the open country ... A lady and gentleman, more expeditious tourists than ourselves, came to the spot; they left us at the seat, and we found them again at another station above the Falls. Coleridge, who is always good-natured enough to enter into conversation with anybody whom he meets in his way, began to talk with the gentleman, who observed that it was a majestic waterfall. Coleridge was delighted with the accuracy of the epithet, particularly as he had been settling in his own mind the precise meaning of the words grand, majestic, sublime, etc., and had discussed the subject with William at some length the day before. “Yes, sir,” says Coleridge, “it is a maj...

Searle: The Chinese Room

John Searle has become the object of accusations of improper conduct. These accusations even have some people in the world of academic philosophy saying that instructors in that world should try to avoid teaching Searle's views. That is an odd contention, and has given rise to heated exchanges in certain corners of the blogosphere.  At Leiter Reports, I encountered a comment from someone describing himself as "grad student drop out." GSDO said: " This is a side question (and not at all an attempt to answer the question BL posed): How important is John Searle's work? Are people still working on speech act theory or is that just another dead end in the history of 20th century philosophy? My impression is that his reputation is somewhat inflated from all of his speaking engagements and NYRoB reviews. The Chinese room argument is a classic, but is there much more to his work than that?" I took it upon myself to answer that on LR. But here I'll tak...

Recent Controversies Involving Nassim Taleb, Part I

I've written about Nassim Taleb on earlier occasions in this blog. I'll let you do the search yourself, dear reader, for the full background. The short answer to the question "who is Taleb?" is this: he is a 57 year old man born in Lebanon, educated in France, who has been both a hedge fund manager and a derivatives trader. He retired from active participation from the financial world sometime between 2004 and 2006, and has been a full-time writer and provocateur ever since. Taleb's writings for the general public began where one might expect -- in the field where he had made his money -- and he explained certain financial issues to a broad audiences in a very dramatic non-technical way. Since then, he has widened has fields of study, writing about just about everything, applying the intellectual tools he honed in that earlier work. As you might have gather from the above, I respect Taleb, though I have sometimes been critical of him when my own writing ab...