Skip to main content

Galen Strawson and the Mind-Body Problem

Image result for galen strawson mental reality

A recent essay by the philosopher Galen Strawson has looked at the mind-body problem from a distinctive angle.

The title of the essay seems more straightforward than it is. "Consciousness isn't a mystery. It's Matter." One first gets the impression that Strawson is taking a straightforward materialist/eliminativist view: consciousness simply is matter in one of its operations. But that is to presume that the "it" in the second sentence is an unambiguous reference to the word "consciousness" in the first sentence.

Another reading suggests itself, though. The "it" could refer to the word "mystery." The second sentence would then mean, "It's matter that is the real mystery."

Both meanings fall within the scope of Strawson's intention.

It is what Strawson calls a Very Large Mistake to think that we know enough about matter, through the science of physics, to know that consciousness can't be a material fact. We don't know what matter is, and all physics tells us -- or can given the nature of the science ever tell us -- is what mathematical equations describe its behavior. Not what matter is.

Once we understand this we can free ourselves of any eliminativist temptation. This impulse to deny that consciousness exists because we think we know what matter is and we think this matter must be all there is -- that impulse is in Strawson's view "the most extraordinary move that has ever been made in the history of human thought."

He doesn't mean that in a good way.


Comments

Popular posts from this blog

A Story About Coleridge

This is a quote from a memoir by Dorothy Wordsworth, reflecting on a trip she took with two famous poets, her brother, William Wordsworth, and their similarly gifted companion, Samuel Taylor Coleridge.   We sat upon a bench, placed for the sake of one of these views, whence we looked down upon the waterfall, and over the open country ... A lady and gentleman, more expeditious tourists than ourselves, came to the spot; they left us at the seat, and we found them again at another station above the Falls. Coleridge, who is always good-natured enough to enter into conversation with anybody whom he meets in his way, began to talk with the gentleman, who observed that it was a majestic waterfall. Coleridge was delighted with the accuracy of the epithet, particularly as he had been settling in his own mind the precise meaning of the words grand, majestic, sublime, etc., and had discussed the subject with William at some length the day before. “Yes, sir,” says Coleridge, “it is a maj...

The Lyrics of "Live Like You Were Dying"

Back in 2004 Tim McGraw recorded the song "Live Like You were Dying." As a way of marking the one-decade anniversary of this song, I'd like to admit that a couple of the lines have confused me for years. I could use your help understanding them. In the first couple of verses, the song seems easy to follow. Two men are talking, and one tells the other about his diagnosis. The doctors have (recently? or a long time ago and mistakenly? that isn't clear) given him the news that he would die soon. "I spent most of the next days/Looking at the X-rays." Then we get a couple of lines about a man crossing items off of his bucket list. "I went sky diving, I went rocky mountain climbing, I went two point seven seconds on a bull named Fu Man Chu." Then the speaker -- presumably still the old man -- shifts to the more characterological consequences of the news. As he was doing those things, he found he was loving deeper and speaking sweeter, and givin...

Five Lessons from the Allegory of the Cave

  Please correct me if there are others. But it seems to be there are five lessons the reader is meant to draw from the story about the cave.   First, Plato  is working to devalue what we would call empiricism. He is saying that keeping track of the shadows on the cave wall, trying to make sense of what you see there, will NOT get you to wisdom. Second, Plato is contending that reality comes in levels. The shadows on the wall are illusions. The solid objects being passed around behind my back are more real than their shadows are. BUT … the world outside the the cave is more real than that — and the sun by which that world is illuminated is the top of the hierarchy. So there isn’t a binary choice of real/unreal. There are levels. Third, he equates realness with knowability.  I  only have opinions about the shadows. Could I turn around, I could have at least the glimmerings of knowledge. Could I get outside the cave, I would really Know. Fourth, the parable a...