Skip to main content

Leiter on Nietzsche



Regular readers will know that I often owe my material for this blog to Brian Leiter, of the University of Chicago, and more pertinently (just now) proprietor of the wonderful philosophy blog Leiter Reports. 

This will be another example. Here is a piece of an essay on the interpretation of Nietzsche's philosophy that Leiter published back in 1992. He has recently posted it on his blog, indicating that he still believes it worth discussing (there are many things I was writing in 1992 of which I would not say the same, of which I will never be posting here.)

So ... this is Leiter, controverting one important interpretation of Nietzsche:

Alexander Nehamas’s 1985 book Nietzsche: Life as a Literature offers an elegant synthesis of themes from other (then au courant) readings of Nietzsche by Jacques Derrida, Sarah Kofman, Paul DeMan, and Richard Rorty. He effected this synthesis primarily through the introduction of a novel interpretive rubric: what Nehamas calls "aestheticism." According to aestheticism, "Nietzsche... looks at [the world] as if it were a literary text. And he arrives at many of his views of human beings by generalizing to them ideas and principles that apply almost intuitively to the literary situation, to the creation and interpretation of literary texts and characters". For Nehamas, then, the literary text is Nietzsche's "overarching metaphor" (164), the "model" he "always depended on" (194) in pursuing his philosophical inquiries, "the single thread running through" his work.

I show that aestheticism is, in fact, not Nietzsche’s view, and that Nehamas fails to adduce a single passage from Nietzsche in which he actually embraces aestheticism. I also show how aestheticism leads Nehamas to an idiosyncratic reading of Nietzsche’s "positive" ethical views. I conclude that this intelligent but sometimes idiosyncratic book is not really about Nietzsche.

-------------

The image above, btw, is of the campus of the aforementioned University of Chicago. 

Comments

Popular posts from this blog

A Story About Coleridge

This is a quote from a memoir by Dorothy Wordsworth, reflecting on a trip she took with two famous poets, her brother, William Wordsworth, and their similarly gifted companion, Samuel Taylor Coleridge.   We sat upon a bench, placed for the sake of one of these views, whence we looked down upon the waterfall, and over the open country ... A lady and gentleman, more expeditious tourists than ourselves, came to the spot; they left us at the seat, and we found them again at another station above the Falls. Coleridge, who is always good-natured enough to enter into conversation with anybody whom he meets in his way, began to talk with the gentleman, who observed that it was a majestic waterfall. Coleridge was delighted with the accuracy of the epithet, particularly as he had been settling in his own mind the precise meaning of the words grand, majestic, sublime, etc., and had discussed the subject with William at some length the day before. “Yes, sir,” says Coleridge, “it is a maj...

Searle: The Chinese Room

John Searle has become the object of accusations of improper conduct. These accusations even have some people in the world of academic philosophy saying that instructors in that world should try to avoid teaching Searle's views. That is an odd contention, and has given rise to heated exchanges in certain corners of the blogosphere.  At Leiter Reports, I encountered a comment from someone describing himself as "grad student drop out." GSDO said: " This is a side question (and not at all an attempt to answer the question BL posed): How important is John Searle's work? Are people still working on speech act theory or is that just another dead end in the history of 20th century philosophy? My impression is that his reputation is somewhat inflated from all of his speaking engagements and NYRoB reviews. The Chinese room argument is a classic, but is there much more to his work than that?" I took it upon myself to answer that on LR. But here I'll tak...

Recent Controversies Involving Nassim Taleb, Part I

I've written about Nassim Taleb on earlier occasions in this blog. I'll let you do the search yourself, dear reader, for the full background. The short answer to the question "who is Taleb?" is this: he is a 57 year old man born in Lebanon, educated in France, who has been both a hedge fund manager and a derivatives trader. He retired from active participation from the financial world sometime between 2004 and 2006, and has been a full-time writer and provocateur ever since. Taleb's writings for the general public began where one might expect -- in the field where he had made his money -- and he explained certain financial issues to a broad audiences in a very dramatic non-technical way. Since then, he has widened has fields of study, writing about just about everything, applying the intellectual tools he honed in that earlier work. As you might have gather from the above, I respect Taleb, though I have sometimes been critical of him when my own writing ab...