Skip to main content

"I don't wanna do it if Diddy did it!"

 


In watching an episode of SOUTH PARK, years ago, we learned that the devil plans to give himself a big party. 

This was Season 10, episode 11, back in 2006.

I won't bother you with a plot outline, I only want to focus on one point, what seemed at the time a silly bit of word play that now, in 2024, seems positively a prefigurement. What it prefigures I will let you decide.

But the plot has Satan planning for himself a big Halloween party on Earth on the analogy of the Sweet Sixteen parties that rich Daddies among humans throw for their girls, and that were the subject of a reality television series at the time. Satan's is to take place in the fancy ballroom of a  ritzy Los Angeles hotel.  Some time before the actual party, Satan visits that ballroom with a party planner. The party planner says that "Diddy" had thrown himself a birthday party here recently. 

Also, when Satan offers an idea (something like, a big ice cream fountain in one corner of the room) , the planner says "We can do that.  Diddy did the same thing."

Satan replies, "I don't want to do it if Diddy did it!"

Satan was unhappy about impugning his own originality as party animal.  And the wordsmiths writing the screenplay were having some fun with the sound of that sentence. But I don't think we are meant to infer that Satan was trying to disassociate himself from Sean (Diddy) Coombs. 

Now, nearly a score of years later, looking at IRW news stories, I personally have to suspect that Satan might want to make that disassociation after all. 

https://www.salon.com/2024/03/30/what-is-pink-cocaine-or-tuci-the-diddy-allegedly-had-smuggled-on-a-jet/

Comments

Popular posts from this blog

A Story About Coleridge

This is a quote from a memoir by Dorothy Wordsworth, reflecting on a trip she took with two famous poets, her brother, William Wordsworth, and their similarly gifted companion, Samuel Taylor Coleridge.   We sat upon a bench, placed for the sake of one of these views, whence we looked down upon the waterfall, and over the open country ... A lady and gentleman, more expeditious tourists than ourselves, came to the spot; they left us at the seat, and we found them again at another station above the Falls. Coleridge, who is always good-natured enough to enter into conversation with anybody whom he meets in his way, began to talk with the gentleman, who observed that it was a majestic waterfall. Coleridge was delighted with the accuracy of the epithet, particularly as he had been settling in his own mind the precise meaning of the words grand, majestic, sublime, etc., and had discussed the subject with William at some length the day before. “Yes, sir,” says Coleridge, “it is a majesti

Five Lessons from the Allegory of the Cave

  Please correct me if there are others. But it seems to be there are five lessons the reader is meant to draw from the story about the cave.   First, Plato  is working to devalue what we would call empiricism. He is saying that keeping track of the shadows on the cave wall, trying to make sense of what you see there, will NOT get you to wisdom. Second, Plato is contending that reality comes in levels. The shadows on the wall are illusions. The solid objects being passed around behind my back are more real than their shadows are. BUT … the world outside the the cave is more real than that — and the sun by which that world is illuminated is the top of the hierarchy. So there isn’t a binary choice of real/unreal. There are levels. Third, he equates realness with knowability.  I  only have opinions about the shadows. Could I turn around, I could have at least the glimmerings of knowledge. Could I get outside the cave, I would really Know. Fourth, the parable assigns a task to philosophers

Searle: The Chinese Room

John Searle has become the object of accusations of improper conduct. These accusations even have some people in the world of academic philosophy saying that instructors in that world should try to avoid teaching Searle's views. That is an odd contention, and has given rise to heated exchanges in certain corners of the blogosphere.  At Leiter Reports, I encountered a comment from someone describing himself as "grad student drop out." GSDO said: " This is a side question (and not at all an attempt to answer the question BL posed): How important is John Searle's work? Are people still working on speech act theory or is that just another dead end in the history of 20th century philosophy? My impression is that his reputation is somewhat inflated from all of his speaking engagements and NYRoB reviews. The Chinese room argument is a classic, but is there much more to his work than that?" I took it upon myself to answer that on LR. But here I'll tak