Skip to main content

Stefan-Boltzmann Law, Part II

In contrast to my usual practice, this time I'm putting the blog entry's image at the bottom of the page. Pretty wild and crazy of me, eh?
Resuming discussion of the same law we discussed yesterday. As a historical observation, it has its name because Jozef Stefan inferred it from experimental evidence in 1879, five years before Ludwig Boltzmann derived it in theoretical fashion.


The law is of considerable importance to certain contemporary issues, because the Earth itself, including its atmosphere, can be considered for purposes of prediction as a "gray box" of the sort I discussed in the last post. If we know how much radiation the earth is receiving from the sun, and we know how much of that energy is reflected away, vis-à-vis how much is absorbed, we should be able to say something about the heat of this box, this planetary system, as a whole.


The International Panel on Climate Change says that 30% of the sun's energy is reflected away, the remainder is absorbed. It makes intuitive sense to suppose that the content of the atmosphere changes that percentage. Given certain atmospheric changes, the earth will absorb more of the radiation and absorb it.


Until a couple of years ago this sort of thing was known as the "greenhouse effect." But people who believe that most of us are inadequately alarmed about such matters recently stopped using the term, because they figure a "greenhouse" sounds like a nice comfortable and beautiful place to live, so the term frames the discussion in a skewed way.
Don't look for some sweeping conclusion here. I've already made my views on global warning known on this blog and elsewhere. 
I simply wanted to clarify for myself what this Stefan-Boltzmann reference was all about, in case that impressive term swims within my ken again.





Comments

Popular posts from this blog

A Story About Coleridge

This is a quote from a memoir by Dorothy Wordsworth, reflecting on a trip she took with two famous poets, her brother, William Wordsworth, and their similarly gifted companion, Samuel Taylor Coleridge.   We sat upon a bench, placed for the sake of one of these views, whence we looked down upon the waterfall, and over the open country ... A lady and gentleman, more expeditious tourists than ourselves, came to the spot; they left us at the seat, and we found them again at another station above the Falls. Coleridge, who is always good-natured enough to enter into conversation with anybody whom he meets in his way, began to talk with the gentleman, who observed that it was a majestic waterfall. Coleridge was delighted with the accuracy of the epithet, particularly as he had been settling in his own mind the precise meaning of the words grand, majestic, sublime, etc., and had discussed the subject with William at some length the day before. “Yes, sir,” says Coleridge, “it is a maj...

The Lyrics of "Live Like You Were Dying"

Back in 2004 Tim McGraw recorded the song "Live Like You were Dying." As a way of marking the one-decade anniversary of this song, I'd like to admit that a couple of the lines have confused me for years. I could use your help understanding them. In the first couple of verses, the song seems easy to follow. Two men are talking, and one tells the other about his diagnosis. The doctors have (recently? or a long time ago and mistakenly? that isn't clear) given him the news that he would die soon. "I spent most of the next days/Looking at the X-rays." Then we get a couple of lines about a man crossing items off of his bucket list. "I went sky diving, I went rocky mountain climbing, I went two point seven seconds on a bull named Fu Man Chu." Then the speaker -- presumably still the old man -- shifts to the more characterological consequences of the news. As he was doing those things, he found he was loving deeper and speaking sweeter, and givin...

Five Lessons from the Allegory of the Cave

  Please correct me if there are others. But it seems to be there are five lessons the reader is meant to draw from the story about the cave.   First, Plato  is working to devalue what we would call empiricism. He is saying that keeping track of the shadows on the cave wall, trying to make sense of what you see there, will NOT get you to wisdom. Second, Plato is contending that reality comes in levels. The shadows on the wall are illusions. The solid objects being passed around behind my back are more real than their shadows are. BUT … the world outside the the cave is more real than that — and the sun by which that world is illuminated is the top of the hierarchy. So there isn’t a binary choice of real/unreal. There are levels. Third, he equates realness with knowability.  I  only have opinions about the shadows. Could I turn around, I could have at least the glimmerings of knowledge. Could I get outside the cave, I would really Know. Fourth, the parable a...