Skip to main content

Making Us Wait: The Nobel Prize in Literature

Image result for philip rahv

I went to bed Wednesday night, October 5, believing that there was a reasonable chance that, when I awoke, Philip Roth would at last have won a Nobel Prize in Literature.

This was a mistake. The first problem was the scheduling. The Prizes are usually announced over the course of a single week, one announcement per day, and in the 'natural' course of events, the Lit Prize would have been announced after each of the 'hard sciences' on the list" medicine, physics, chemistry, had had its turn in the spotlight. So, that would have been last Thursday.

Unbeknowst to me, though, the Lit panel had announced back in September, before I was paying attention, that it was taking longer than usual to make its decision, and that it would not bestow its prize this year until the Thursday after everybody else had bestowed the others.

Maybe they're tired of always coming in the middle, after the hard sciences, before the Huge Publicity events of Peace and Economics. Maybe this is a publicity gimmick to finally be the ones that wrap up Oscar season, or the egghead analog thereto.

I believed, and still believe, that Roth is deserving. As a caveat, allow me to say that my personal favorite near-contemporary novelist, John Updike, has passed on.  So, under the rules, he is no longer eligible.

But back to Roth. Far more than the non-entities that have received the prize in some recent years, more so even than Pearl S. Buck, who won the Prize in 1938 for THE GOOD EARTH. Buck was not a non-entity, but the figure she cuts seems smaller as the decades move by. In this respect she is more like Philip Rahv than Philip Roth. (That's Rahv, portrayed above.)

One point that strikes me about Roth is personal to me. He was born in March 1933. My father, Clinton James Faille, was also born in that month and year as well. Dad has been gone since June 2003, and it is good to see notable people of the same cohort surviving, and thriving.

The second problem with my view on the evening of October 5th of course was that when the  award came down, this morning, the winner was ... Bob Dylan.

Good for him, but that is a surprise, given the usual novel-based focus of the awards panel. And Roth will have to wait for another year.




Comments

Popular posts from this blog

A Story About Coleridge

This is a quote from a memoir by Dorothy Wordsworth, reflecting on a trip she took with two famous poets, her brother, William Wordsworth, and their similarly gifted companion, Samuel Taylor Coleridge.   We sat upon a bench, placed for the sake of one of these views, whence we looked down upon the waterfall, and over the open country ... A lady and gentleman, more expeditious tourists than ourselves, came to the spot; they left us at the seat, and we found them again at another station above the Falls. Coleridge, who is always good-natured enough to enter into conversation with anybody whom he meets in his way, began to talk with the gentleman, who observed that it was a majestic waterfall. Coleridge was delighted with the accuracy of the epithet, particularly as he had been settling in his own mind the precise meaning of the words grand, majestic, sublime, etc., and had discussed the subject with William at some length the day before. “Yes, sir,” says Coleridge, “it is a majesti

Five Lessons from the Allegory of the Cave

  Please correct me if there are others. But it seems to be there are five lessons the reader is meant to draw from the story about the cave.   First, Plato  is working to devalue what we would call empiricism. He is saying that keeping track of the shadows on the cave wall, trying to make sense of what you see there, will NOT get you to wisdom. Second, Plato is contending that reality comes in levels. The shadows on the wall are illusions. The solid objects being passed around behind my back are more real than their shadows are. BUT … the world outside the the cave is more real than that — and the sun by which that world is illuminated is the top of the hierarchy. So there isn’t a binary choice of real/unreal. There are levels. Third, he equates realness with knowability.  I  only have opinions about the shadows. Could I turn around, I could have at least the glimmerings of knowledge. Could I get outside the cave, I would really Know. Fourth, the parable assigns a task to philosophers

Searle: The Chinese Room

John Searle has become the object of accusations of improper conduct. These accusations even have some people in the world of academic philosophy saying that instructors in that world should try to avoid teaching Searle's views. That is an odd contention, and has given rise to heated exchanges in certain corners of the blogosphere.  At Leiter Reports, I encountered a comment from someone describing himself as "grad student drop out." GSDO said: " This is a side question (and not at all an attempt to answer the question BL posed): How important is John Searle's work? Are people still working on speech act theory or is that just another dead end in the history of 20th century philosophy? My impression is that his reputation is somewhat inflated from all of his speaking engagements and NYRoB reviews. The Chinese room argument is a classic, but is there much more to his work than that?" I took it upon myself to answer that on LR. But here I'll tak