Skip to main content

Hacksaw Ridge



Diane and I have seen the Mel Gibson directed war movie Hacksaw Ridge. The photo here isn't a still from the movie (which doesn't use b-and-w cinematography). No, what I've pasted above is a historic (May 1945) photo of an escarpment on Okinawa that got the nickname that in turn became the title.

The movie hardly needs any recommendation from me. It has been out for weeks already (it opened Nov. 4 in the US) and has received rave reviews.

Rolling Stone calls it the best war movie since Saving Private Ryan, and that periodical's reviewer says that Gibson as director "deserves a medal."

Another reason the movie needs no recommendation from me: it has done quite well already in box-office terms. It made $15.2 million on its opening weekend, $10.8 million on the second.

These aren't blockbuster level numbers. Andrew Garfield, who plays the conscientious objector at the heart of the story, also played Spider-Man in a 2012 movie, and THAT film earned $35 million on its first day. Still, Garfield is reportedly gratified that he has moved into the realm of real world heroes. And the numbers are quite respectable for an early November release, when the studios are saving their biggest guns for the Thanksgiving-to-New-Year run.

 Still: here it is. I highly recommend this movie. It will move you. You may not understand Doss' religious principles before or after you see the movie. He was not drafted -- he enlisted. And as that fact suggests he did not object to the war effort. He just wanted his part in it to be purely that of a medic, and of one who would handle no rifle.

Still, heroism doesn't consist in having the right convictions, it consists in having the courage of the convictions one has. And this movie strikes that note well.


Comments

Popular posts from this blog

A Story About Coleridge

This is a quote from a memoir by Dorothy Wordsworth, reflecting on a trip she took with two famous poets, her brother, William Wordsworth, and their similarly gifted companion, Samuel Taylor Coleridge.   We sat upon a bench, placed for the sake of one of these views, whence we looked down upon the waterfall, and over the open country ... A lady and gentleman, more expeditious tourists than ourselves, came to the spot; they left us at the seat, and we found them again at another station above the Falls. Coleridge, who is always good-natured enough to enter into conversation with anybody whom he meets in his way, began to talk with the gentleman, who observed that it was a majestic waterfall. Coleridge was delighted with the accuracy of the epithet, particularly as he had been settling in his own mind the precise meaning of the words grand, majestic, sublime, etc., and had discussed the subject with William at some length the day before. “Yes, sir,” says Coleridge, “it is a maj...

Searle: The Chinese Room

John Searle has become the object of accusations of improper conduct. These accusations even have some people in the world of academic philosophy saying that instructors in that world should try to avoid teaching Searle's views. That is an odd contention, and has given rise to heated exchanges in certain corners of the blogosphere.  At Leiter Reports, I encountered a comment from someone describing himself as "grad student drop out." GSDO said: " This is a side question (and not at all an attempt to answer the question BL posed): How important is John Searle's work? Are people still working on speech act theory or is that just another dead end in the history of 20th century philosophy? My impression is that his reputation is somewhat inflated from all of his speaking engagements and NYRoB reviews. The Chinese room argument is a classic, but is there much more to his work than that?" I took it upon myself to answer that on LR. But here I'll tak...

Recent Controversies Involving Nassim Taleb, Part I

I've written about Nassim Taleb on earlier occasions in this blog. I'll let you do the search yourself, dear reader, for the full background. The short answer to the question "who is Taleb?" is this: he is a 57 year old man born in Lebanon, educated in France, who has been both a hedge fund manager and a derivatives trader. He retired from active participation from the financial world sometime between 2004 and 2006, and has been a full-time writer and provocateur ever since. Taleb's writings for the general public began where one might expect -- in the field where he had made his money -- and he explained certain financial issues to a broad audiences in a very dramatic non-technical way. Since then, he has widened has fields of study, writing about just about everything, applying the intellectual tools he honed in that earlier work. As you might have gather from the above, I respect Taleb, though I have sometimes been critical of him when my own writing ab...