Skip to main content

Colin McGinn on Wittgenstein's ontology



Colin McGinn, a contemporary philosopher of some importance, (google "new mysterians") often discusses the history of the discipline in his blog. I'm fascinated by his recent comment on "Wittgenstein's Ontology," which you can find by clicking here. Wittgenstein’s Ontology - Colin McGinn  

Let us start our consideration of it with a simple question: what is ontology? By standard definition, it is the study of being, discussing for example what types of thing constitute the furniture of the universe. Sample questions: Are numbers real?  Are only the numbers we call "real numbers" real or are "imaginary" numbers also real? This is distinct from questions about cosmology or the mind-body problem, which are puzzles ABOUT certain of the pieces of furniture in the universe. These inquiries all fit under the broader framework of metaphysics. 

Anyway, McGinn's first point is that Wittgenstein sets out his own ontology clearly in the opening words of his TRACTATUS.  The world is everything that is the case. So what "is the case" is the furniture. What is the case is not an object, but a fact. 

The TRACTATUS appeared in 1922, just a little over one century ago. It is often contrasted with a later text of his, PHILOSOPHICAL INVESTIGATIONS, left in manuscript form at his death in 1951.  The two writings are said to reflect "early" and "later" Wittgenstein, with the former fitting well into the analytic/positivist tradition, and the latter (at a minimum) pressing against that envelope. 

McGinn doesn't gainsay that assessment. But he does make the point that Wittgenstein need not have changed his ontology in order to write INVESTIGATIONS.

"No reader could hazard a guess as to Wittgenstein's ontology" looking at the INVESTIGATIONS alone. "Certainly, no consequences for meaning are derived from a presumed ontology."  

So what CAN we say about what did and did not change in LW's thought? That is a big question.... 

Comments

Popular posts from this blog

A Story About Coleridge

This is a quote from a memoir by Dorothy Wordsworth, reflecting on a trip she took with two famous poets, her brother, William Wordsworth, and their similarly gifted companion, Samuel Taylor Coleridge.   We sat upon a bench, placed for the sake of one of these views, whence we looked down upon the waterfall, and over the open country ... A lady and gentleman, more expeditious tourists than ourselves, came to the spot; they left us at the seat, and we found them again at another station above the Falls. Coleridge, who is always good-natured enough to enter into conversation with anybody whom he meets in his way, began to talk with the gentleman, who observed that it was a majestic waterfall. Coleridge was delighted with the accuracy of the epithet, particularly as he had been settling in his own mind the precise meaning of the words grand, majestic, sublime, etc., and had discussed the subject with William at some length the day before. “Yes, sir,” says Coleridge, “it is a maj...

Searle: The Chinese Room

John Searle has become the object of accusations of improper conduct. These accusations even have some people in the world of academic philosophy saying that instructors in that world should try to avoid teaching Searle's views. That is an odd contention, and has given rise to heated exchanges in certain corners of the blogosphere.  At Leiter Reports, I encountered a comment from someone describing himself as "grad student drop out." GSDO said: " This is a side question (and not at all an attempt to answer the question BL posed): How important is John Searle's work? Are people still working on speech act theory or is that just another dead end in the history of 20th century philosophy? My impression is that his reputation is somewhat inflated from all of his speaking engagements and NYRoB reviews. The Chinese room argument is a classic, but is there much more to his work than that?" I took it upon myself to answer that on LR. But here I'll tak...

The Lyrics of "Live Like You Were Dying"

Back in 2004 Tim McGraw recorded the song "Live Like You were Dying." As a way of marking the one-decade anniversary of this song, I'd like to admit that a couple of the lines have confused me for years. I could use your help understanding them. In the first couple of verses, the song seems easy to follow. Two men are talking, and one tells the other about his diagnosis. The doctors have (recently? or a long time ago and mistakenly? that isn't clear) given him the news that he would die soon. "I spent most of the next days/Looking at the X-rays." Then we get a couple of lines about a man crossing items off of his bucket list. "I went sky diving, I went rocky mountain climbing, I went two point seven seconds on a bull named Fu Man Chu." Then the speaker -- presumably still the old man -- shifts to the more characterological consequences of the news. As he was doing those things, he found he was loving deeper and speaking sweeter, and givin...