Skip to main content

1917

Image result for 1917

Spoiler Alert.

Turn back if you want to see this movie without any ides of what will happen in it.

Still here? Too late.

The Oscar-winning movie 1917 follows the simplest and perhaps the oldest of plats. The protagonist and a companion have to cross forbidding terrain to get an indispensable job done.

The companion dies during the course of the trip, and the protagonist is heartbroken, but he has to find it in himself to carry on. The job is done. The companion's death has not been in vain.

Not plot novelties. But of course show business has never thrived on plot novelties. It thrives on the expenditure of its energies and talents on filling out and giving new twists to precisely the old familiar plots.

One great thing about this movie is a brief scene where the two central characters are being chased by a low-flying airplane. Its a period-accurate biplane, of course but the scene still looks like a hommage to an analogous scene in a Hitchcock film.

Comments

Popular posts from this blog

Searle: The Chinese Room

John Searle has become the object of accusations of improper conduct. These accusations even have some people in the world of academic philosophy saying that instructors in that world should try to avoid teaching Searle's views. That is an odd contention, and has given rise to heated exchanges in certain corners of the blogosphere.  At Leiter Reports, I encountered a comment from someone describing himself as "grad student drop out." GSDO said: " This is a side question (and not at all an attempt to answer the question BL posed): How important is John Searle's work? Are people still working on speech act theory or is that just another dead end in the history of 20th century philosophy? My impression is that his reputation is somewhat inflated from all of his speaking engagements and NYRoB reviews. The Chinese room argument is a classic, but is there much more to his work than that?" I took it upon myself to answer that on LR. But here I'll tak...

A Story About Coleridge

This is a quote from a memoir by Dorothy Wordsworth, reflecting on a trip she took with two famous poets, her brother, William Wordsworth, and their similarly gifted companion, Samuel Taylor Coleridge.   We sat upon a bench, placed for the sake of one of these views, whence we looked down upon the waterfall, and over the open country ... A lady and gentleman, more expeditious tourists than ourselves, came to the spot; they left us at the seat, and we found them again at another station above the Falls. Coleridge, who is always good-natured enough to enter into conversation with anybody whom he meets in his way, began to talk with the gentleman, who observed that it was a majestic waterfall. Coleridge was delighted with the accuracy of the epithet, particularly as he had been settling in his own mind the precise meaning of the words grand, majestic, sublime, etc., and had discussed the subject with William at some length the day before. “Yes, sir,” says Coleridge, “it is a maj...

A Quote from Parfit

Recently  I wrote a little about ethicist Derek Parfit. I've been doing further research on him since, and will now describe his Big Picture as I've come to understand it. Parfit believes that the western world only started taking ethical philosophy seriously (as a domain separate from theology) around the time Nietzsche declared that God was dead. There are only three possibilities, in terms of the God/morality issue: 1) You believe that God exists and that His commands define morality 2) You deny that God exists and, like Nietzsche, infer from this that in the absence of commands there is no right or wrong, or 3) You deny that God exists yet persist in believing and attempting to discern right and wrong. From a certain point of view there could be a fourth category, for people who believe that God exists but that His existence is irrelevant to morality, He doesn't issue commands at all, etc.  Still, from DP's perspective that sort of God ...