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Showing posts with the label architecture

Notre Dame

The fire at Notre Dame cathedral strikes me as cataclysmic. I've never had the honor of a visit to Paris. But I have a family connection. My grandfather Comstock (who passed away in the 1990s) worked for years on a never-completed book that would have told the story of the great Gothic Cathedrals of Europe from the point of view of architecture-as-engineering. The fundamental idea was to be that engineers solve problems, and that the solutions to one set of problems invariably raise new problems, requiring a new round of solutions, etc. So the engineers' history of any subject is a history of this back and forth.  Architecture is a form of engineering, and the creation of large sacred light and air-friendly spaces is one example. Sacred though the goal was supposed to be, the path can be understood in secular terms, as problems and solutions and new problems. Further, we can understand the great aesthetic appeal of cathedrals through understanding their history in this...

Jed Perl

The latest issue of Harper's has a round-up, by Joshua Cohen, of new books. The one that catches my eye is a comment on a collection of the writings of art critic Jed Perl. I've probably read a good chunk of that book, as I'm a fan of Perl's work as it appears in The New Republic. Unfortunately, Perl's new book, Magicians and Charlatans , looks a little pricey for me.  So I'll confine myself to just quoting here what Cohen writes about it: "[T]his miscellany's greatest recommending stretches are its critiques of what is essentially unreal: the art market. Shock, that old weapon of Dada and Surrealism, concussing sensibilities since World War I, has become a marketing manifesto licensing a Christ soaked in human urine (Andres Serrano's Piss Christ ) and a Mary slathered in elephant dung (Chris Ofili's The Holy Virgin Mary ) not as expressions of rage but as provocations of PR ....The museum is converted into its architectural double, t...