Not for the first time, I am thinking today about this odd song. The lyrics tell a story about two people, a couple, who are so bored with each other that they try to cheat on each other but, through lucky happenstance, end up making a rendezvous with ... each other. Oh, what jolly fun. It is tricky to figure out the logistics, though. Our (male) protagonist is reading a poem placed in the personal ads. He replies to it, with a poem of his own, that ends, "I've got to meet you by tomorrow noon and cut through all this red tape/ At a bar named O'Malley's, Where we'll plaaaaan our escape." So, on the day this second poem appears in the newspaper, our two discontented settled-down folks must both see it. Or there would be no meeting at O'Malley's. They take the day after THAT to be the relevant "tomorrow." They live together (that is obvious from the opening lines, where the man is lying in bed reading the paper while his wife lies besides...
I said something in my September 25th entry into this blog about THE WEIGHT. Specifically, I spoke about the movie's back-story, and the underlying reality of FDR's confiscation of privately held gold in a determined demonetization of the historically value-measuring metal. And I said that I enjoyed the movie. But I didn't say much more about what happens in the movie, or what I liked about it (other than the subject matter). Here are some further points. First, the back story didn't really matter all that much to the action. A gaggle of sympathetic convicts had to get gold from point A to point B in order to win their freedom. Without knowing or caring about the history you can 'get' that. The distance between A and B was in rugged terrain, in the mountains of Oregon. Our heroes encounter and overcome obstacles to their success, both natural and human, and the movie's style is half-way between prison break on the one hand and heist movi...