Dig the final note: "fleece vests".

Perhaps it is a great movie I don't know. I may never know. I suspect I'm not going to see it until it ends up on small screens. But THE DEVIL WEARS PRADA II has this to its credit. It has inspired some fine writing amongst critics.

I'll just quote here one example, from SALON, where senior culture writer Coleman Spilde raves about it.

But “The Devil Wears Prada 2” isn’t here just to make easy money by force-feeding audiences IP slop in the form of Miranda Priestly one-liners; it’s using its existence to issue a mass-scale warning about the future, stressing the worth in fighting tooth and nail to preserve what we hold dear — in cinema, in publishing, in every element of life being disemboweled by rapacious tech bros in fleece vests.

Dug.

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