Not for the first time, I am thinking today about this odd song.
The lyrics tell a story about two people, a couple, who are so bored with each other that they try to cheat on each other but, through lucky happenstance, end up making a rendezvous with ... each other. Oh, what jolly fun.
It is tricky to figure out the logistics, though. Our (male) protagonist is reading a poem placed in the personal ads. He replies to it, with a poem of his own, that ends, "I've got to meet you by tomorrow noon and cut through all this red tape/ At a bar named O'Malley's, Where we'll plaaaaan our escape."
So, on the day this second poem appears in the newspaper, our two discontented settled-down folks must both see it. Or there would be no meeting at O'Malley's. They take the day after THAT to be the relevant "tomorrow."
They live together (that is obvious from the opening lines, where the man is lying in bed reading the paper while his wife lies besides him.)
Around 11 o'clock, did one of them say, "I, um, have got to leave now. I've got some place to go."
"Oh, really -- what a coincidence. I'm going to be going someplace too."
"Where are you headed?"
"Uh, definitely not to O'Malley's."
"Me too. Definitely someplace else...."
Just wondering.
The plot here brings to mind Così fan tutte's. I don't remember it well enough to say how close they are.
ReplyDeleteAs suited to the difference between an opera on one hand and a three-minute pop song on the other, Rupert Holmes' plot is a good deal simpler than Mozart's. There is only one central couple, no Mozart's two, and no one skulking about placing bets on the outcome. Anyway, here are the full lyrics if you're curious: https://www.songlyrics.com/rupert-holmes/pina-colada-lyrics/
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